As you travel throughout the countryside and towns of America, you can’t help but take notice of the various weathervanes and whirligigs that grace rooftops and gardens as well as those that have made their way into homes and museums as folk art objects for display. Over the past twenty three years, I have developed an increasing interest and passion for this type of folk art. I began collecting antique originals and then started researching folk art objects to handcraft weathervanes, whirligigs and trade signs in the true folk art tradition. Most of the wood used in my work is over one hundred-year-old heart pine salvaged from various 19th century barns and outbuildings in upstate NY. I also incorporate antique copper, tin and iron into my work. Various tools used to handcraft each piece include chisels, draw knives, handsaws and carving knives.
I want to continue this type of American folk art so that it lives on for many years to come. I hope you enjoy my work as much as I enjoy handcrafting each and every piece.
Andersen and Stauffer
At Andersen & Stauffer, we create authentic copies of 17th, 18th, and early 19th century American antiques. How do we accomplish this? By being exacting. And passionate and experienced. Founders Alan Andersen & Tom Stauffer have been working with wood for as long as they’ve been able to hold hammers. Together, our team develops and perfects techniques to construct classic pieces and simulate antique surfaces, as well as conserve and restore cherished pieces.
Our deep passion for the history of American furniture, and knowledge of both its form and function, is what drives our desire to painstakingly recreate timeless bench-made furniture.
We use only the best grade hardwood, employ mortise and tenon joinery, and use hand cut dovetails. We use no automated joinery techniques, and never, ever, any plywood. All carving is done by hand, and we have been sought out by clients around the country for our highly specialized hand-rubbed finishes. We can match the color and finish of an existing object, or create a unique blend to suit a client’s individual needs. Then, we finish with the highest quality brass hardware available, from Londonderry Brasses.
We have been recreating pieces for clients for more than 25 years, and are proud to label, sign and date each one. And that’s why we have continually been rated among the 200 Top Craftspeople in America by Early American Home Magazine. And are engaged by renowned museums like Winterthur Museum and Old Salem Museum and Gardens to partner in their replication projects. Our knowledge also makes us a trusted authentication resource for auction houses like Sotheby’s and Christie’s.
As my tag line ‘Designs that Dance!’ suggests, I always aim to infuse my designs with movement – through texture, color, pattern, the way each piece catches the light, swings on a hinge, falls from the ear or contours the wrist. To do this, I exploit silver’s versatile textures, patterns and sculptural possibilities.
I look to nature for inspiration and find great pleasure and solace in the act of looking. ‘Bling’ holds little interest for me. Rather, I prefer elegance in simplicity – as Nature herself often does. I gravitate therefore towards organic materials such as pearls, stones, shell, seeds, leather, wood.
I have built our small company with my husband Mel, whose consistent, loving support and hard work forms the bedrock from which my creativity and our company can flourish. Collaboration – with each other, our silversmiths, our partners, our fans, nature herself – is what gives Anni Maliki jewelry its value. Thank you all!
Ashley Garland Floor Cloths
As a young apprentice to my artist grandmother, I learned the process of creating floor cloths at the age of 13. While studying under my grandmother I was even mentioned in Country Living Magazine. I am very proud to be carrying on the tradition today. I love the process of putting an idea onto the canvas and seeing it come to life. I want my work to be enjoyed in your home as much as I enjoy creating it.
Barking Dog Jewelry Design Studio
As a specialist in hand forged and braided metal, I use a mixture of traditional silversmith, blacksmith, and goldsmith techniques and equipment to create historical wearable works of art. I am a native of North Carolina, trained in historical archaeology, with a subspecialty in metals. I am a trained jeweler and a self taught traditional silversmith.
I do all the work by hand, one piece at a time, from initial design to final polishing – no mass production. From time to time I teach this work to apprentices who also help me at art and craft shows while I demonstrate my techniques.
My knowledge base comes from period texts, paintings, etchings, and techniques which I’ve reverse engineered using methods learned in my training in archaeology and museum conservation and restoration. I spend hours in museums examining period paintings, etchings, prints, and sculptures attempting to tease out jewelry design and construction. Many of my patterns are based on archaeological research, published reports, texts, field notes, and interviews with curators at period archaeological sites. Two of my chain designs are based on artifacts recovered from period (1715) ship wrecks off the coast of Florida. The button designs are based on two period buttons (one pewter and one silver plated or gilded) excavated in Strasburg, Virginia. I also have fun creating some contemporary or art deco pieces.
As a result, my designs create some of the most accurate reproductions and examples of historic colonial style jewelry, especially with respect to my hand made chains, hand forging, weaving, repousse’, chasing, and embossing.
Baskets in Nantucket Tradition: Jane Theobald
I began experimenting with Nantucket basket construction about 35 years ago after seeing a small broken one at an antique show. I have been a hands on creator forever, jumping from sewing stain glass window making, weaving, knitting etc. I dabbled in shaker baskets at first but once I saw the Nantucket that was it. I still have my first basket with its handle made from a large twig from a tree in my back yard. My basket growth has been all on my own since in the early 1980s there was nothing available without being on the island. The third edition of the Seeler book in 1981 was my teacher. It however left out a number of salient facts which had to be learned by trial and error if you weren’t out on the island with a teacher. One of the greatest joys of my development as a basket maker has been that when faced with a technical obstacle and no teacher I consistently seem to have solved it the same way the old guys on the island did many years ago. Over the years I have participated in many lovely folk art shows and have been privileged to be included in Early American Life magazine of Outstanding Artists as well as being featured in Country Living. In addition I have had a nest of small baskets included in a show of miniatures at the Nantucket Basket Museum on the island. My baskets are in many personal collections both here and abroad. I have done all my work myself from the beginning. This includes molds, rims, handles, and for the last several years scrimshaw. Much of my work now is custom one of a kind baskets and historical reproductions woven of old cane, sometimes with baleen embellishments. In addition I do restoration of treasured antique baskets in private collections. I still learn from every project and enjoy it as much now as I did with my first homely attempt.
In the rural Vermont village of Perkinsville, the Henry Gould Farm sits at the base of picturesque Mount Ascutney as it has since the early 19th century. Peek into the large carriage house windows and you will find the studio of Lisa Curry Mair and the home of Canvasworks Designs.
Traditionally crafted canvas floorcloths and elegant murals are made as they would have been hundreds of years ago – one intricate and detailed step at a time. The subjects and stories of her murals are historically researched and lovingly infused with personal details. Her art often highlights the animals she holds dear – her horses, dogs and cat – as well as the beauty of the surrounding landscape.
Lisa truly lives the traditional New Englander way-of-life and painting is just one part of her day. The farm’s old dairy barn is home to her four horses, which she tends to and rides daily. In the winter, the woodstove must be stoked and the walkways must be shoveled; in the summer, the flower gardens around the pond in the backyard require time and attention. Lisa has been known not to leave the property for a week at a time. “Why would I?” she says. “Everything I need is right here.”
Since Canvasworks Designs was established in 1992, Lisa Curry Mair has created over fifteen-hundred handcrafted floorcloths, paintings and murals, which now reside in private homes, historic houses, and museums across North America and Europe.
In 1979, Cheryl Mihills discovered the miniature punchneedle. This changed the direction of her work forever. She was intrigued by the unique textures, relief and unlimited creative possibilities she could achieve using just one strand of thread. Cheryl has been exploring the art and creativity of the punchneedle ever since.
Cheryl describes her work as drawing and painting with threads. She begins each piece with a basic pencil sketch of her idea. The design progresses as she works. It takes from three to six hours to complete a square inch, depending on the detail. There are approximately 1,200 stitches per square inch.
She has produced many commission works over the years. Her most recent challenges have been to punch “Old Acre”, a beautiful brick home in Waterford, VA and her largest piece, a 1700s stone home. Commissioned pieces usually take 12 to 24 months to complete.
Cheryl’s background is in fine arts. She studied art & design at Rochester Institute of Technology in Rochester, NY.
The Cordwainer Shop was founded in the 1930’s by Edward F. Mathews. His son, Paul, carried on the shop tradition as main footwear designer, and except for a 4-year stint in WWII, shoemaking became his life’s work and joy. Many of his footwear designs are still produced at the shop today. Molly Grant now carries on the Cordwainer tradition of creating custom handmade leather footwear, and it has become as much a passion to Molly as it was to Paul. She specializes in teaching shoemaking workshops as a way to share this tradition of craftsmanship.
At the Cordwainer Shop, every shoe is made completely by hand using decades-old techniques, patterns and equipment. All of our shoes hold true to the mission of our founder, Edward Mathews: to create beautiful yet healthy and comfortable shoes that will last for years.
Daniel Bellow Porcelain
Made by hand on the potter’s wheel, one piece at a time, Daniel Bellow Porcelain is non-toxic, and dishwasher safe, and with proper care should last for hundreds of years. There’s a lot of iron in the new glaze and it will not go over well to have them smoke in someone’s microwave. Things that are made by hand have a life of their own, a spirit, that machine made objects, no matter how well designed, cannot hope to match
I measure the pots with my fingers and adjust the kiln according to the sound of the burners and the color of the flame, so some variation in size, shape and color is to be expected and valued for its is is the whole point of handmade pottery in a machine world where everyone agrees the highest and best use of silica is in the manufacture of microchips for computers.
The clay I use comes from ancient mountaintops washed down into stream beds over millions of years of rainy days. When my bones have crumbled to dust and this website is forgotten, archaeologists yet unborn will excavate my studio and find pieces of pottery with my stamp on them.
I decided that if Paul Gauguin could quit his job to become an artist at 37, so could I. But instead of leaving my wife, two small children and two large dogs and going off to Tahiti to drink myself to death, we all moved back to the Berkshires and established the Daniel Bellow Pottery in Great Barrington in 2002.
My work is sold in finer galleries and in Anthropologie stores from coast to coast. I teach at the Great Barrington Waldorf High School and IS183 Art School of the Berkshires. In the summertime, I fire wood kilns with my friends here in the North Carolina of the North.
Deluca Windsor Furniture
Joe has been making Windsor chairs and restoring period furniture in beautiful Lancaster County Pennsylvania for almost thirty years. After working as an engineering model maker, his time spent in a prestigious Lancaster County restoration and conservation shop allowed him access to some of the finest examples of Windsor furniture available. From here, Joe was able to choose the finest examples to reproduce, for both elegance and comfort. Paying special attention to period construction and joinery techniques,as well as historically accurate colors and surfaces, Joe’s chairs capture the 18th century in in both form and function.
Our pieces are built to last more than a lifetime. We work with locally sourced woods, including hard maple for the base, two inch thick tulip poplar for the seats, and tough and resilient hickory or red oak for the spindles, steam bent arms, bows and crest rails. While we are quite proud of the form and construction of our chairs, it is the paint surfaces that set us apart. DeLuca Windsors have been shipped coast to coast as well as Germany and numerous museums in the east.
D.R. Dimes American Furniture
For over forty years D.R.DIMES & Company has been crafting museum quality reproductionAmerican furniture. Founded by Douglas Richard Dimes in 1964, the company grew from a one man shop to an American institution. Along the way he was commissioned by nearly every major Early American museum in the country.
Mr. Dimes’ great grandfather Richard Dimes — an English silversmith who had immigrated to the U.S. in 1881 — started Towle’s hollowware line. Dimes eventually founded his own company, Richard Dimes Co., in South Boston going on to establish himself as a one of the finest silversmiths in the US. Richard Dimes Co. also worked for major museums to recreate early American masterpieces by the likes of Paul Revere.
The company’s president and fifth generation master craftsman, Douglas P. Dimes, is very cognizant of his family’s history and is committed to the ideals of his father and forebears.
D.R. Dimes & Company makes only the finest examples of Early American design because Mr. Dimes believes those pieces were and are among the finest Windsor chairs & furniture ever made. With nearly forty years of effort and scholarship D.R. Dimes offers an amazing variety of Early American forms which are often copied as much as the originals.
While we are pleased to present this online catalog for your convenience, D.R. Dimes furniture can only be fully appreciated when seen and touched. Visit a dealer near you and see why thousands of Americans over two generations have made D.R. Dimes furniture part of their homes.
Fascinated by American Indian beadwork, Faith Fellows studied the earliest forms of bead and quill work and the various tribal influences at the American Indian Museum in New York. Today she incorporates artistic influences from many indigenous cultures into her bags. Each motif is meticulously embroidered on a field of richly colored velvet or suede set into the leather of the bag, creating one-of-a-kind American treasures. She works in South Royalton, Vermont.
50 Little Birds
I carve birds and whales and boats. I spent a great deal of my childhood on the coast of New England. These were my passions than and the drive my artwork today.
My artwork comes from my life and my experiences. I spend much of my time in the woods and on the water…just watching and thinking about what I will make next.
Fire Crow Handwovens
I love sharing my joy through weaving. I draw inspiration from nature and the magical world around us to design and create beautiful, functional scarves, shawls and home goods that enhance one’s home or lifestyle. Specialties are my original “Story Scarves” and “Story Shawls” that share tales and life experiences woven into fabric with vibrant colors and rich textures. I often incorporate novelty yarns and contrasting fibers into the same piece. I weave mostly on an 8-harness cherry Norwood loom and enjoy demonstrating on my portable 4-harness Harrisville. . I spent two years artistically crocheting and selling original scarves; spent a year studying the centuries-old craft of basket weaving with reed, adding found materials collected in the woods; and traveled to the tiny villages outside Oaxaca, Mexico to experience indigenous handweavers’ craft and culture. Traveling provides an endless source of inspiration for me and I look forward to many more adventures!
Heidi Howard, Maker & Painter
Heidi began to paint historic reproductions of trade and tavern signs when her interest in early American country painted antiques collided with her artistic background. After graduating from Rhode Island School of Design with a degree in Fine Art, Heidi went through a natural progression of nomad, waitress, seamstress, hatter, mother, and, ultimately, historic trade & tavern sign painter. What a wonderful culmination of a life-long interest in art and antiques and the actual (gasp!) use of one’s college degree! Her attraction to weathered surfaces and crusty paint began early though, having spent her childhood in rural Vermont, surrounded by barns, rusty farm equipment, and other glimpses of history. Heidi continues to be inspired by her New England surroundings.
Helen Howard, Painter
You may have read something about Helen in one of a variety of publications, including Country Living, Yankee, Early American Life/Homes, or the New England Antiques Journal. Further, what you read may have been something about Helen the antiques dealer, or Helen the wall muralist, or Helen the floor-cloth designer and painter, or about Helen the prolific watercolorist. All of these topics have been addressed in various articles about Helen over the last four decades. As a result, her artwork is displayed proudly on walls and floors of beautiful homes throughout the country. Many of Helen’s clients come to her again and again with a new request, a new space in mind.
Hooked by Lynn
Lynn Hazelton has been hooking rugs for over 20 years. Her experience as a water color painter has provided a keen sense of color and design which shows in the beautiful rugs she has created. Her rugs are truly unique. They are expertly made using wool strips on a linen backing which makes then very durable. Each rug is original so that no two of them are the same although some basic designs are utilized with different color schemes.
Hooked Rugs, Peggy Teich
Fiber artist Peggy Teich’s collectible wool hooked rugs in the American Primitive style are created with hand-dyed wool, and hooked on burlap. Teich’s rugs, which are primarily used as wall hangings, have been featured on the 1999 White House Christmas tree, Country Living Magazine, Country Home Magazine, and other fine publications. She makes her home in Wisconsin.
Jeffrey Palmer Designs
Since 1984 Master Craftsman, Jeffrey Palmer continues to create one–of-a-kind, custom furniture from his small work shop in Central Massachusetts. Inspired by the Shakers, Jeff is a proponent of simple, functional furniture crafted with quality materials, integrity and pride.
Jeff takes special pride in hand selecting the wood for every design; a time consuming task of placement and matching of the grains and the color. Traditional Joinery is a major component of his furniture including dovetail, mortise and tenon which hasn’t changed since the 18th century.
We believe that every piece of furniture interacts with the space around it. Color, form, size, shape and texture contribute to the quality of the furniture and the way it impacts the space it owns and the human senses. Complete customer satisfaction through hard work and commitment to quality is our primary goal in bringing fine hand-crafted furniture to your home.
Josh Axelrod Photography
Photography originates with light. Pattern is the form, the symmetry, the composition. Motion is an expression of time… I consider these the essential elements of photography. They are the pieces of the puzzle that is the creation. How and where I choose to place these pieces, a combination of my perspective and integrating elements to form the whole, is where I depend on intuition. This is where my art is born.
From the back woods of Vermont, to the western shores of Washington; high in the Andes of Peru and deep into the wild of Alaska, I find inspiration in what is often overlooked- the simple things that blanket the earth. Magic lives everywhere; the feathered blade of golden grass blowing in the wind, the current rippling in a mountainside stream and the ever-changing light defining the voice of those moments.
I am fascinated by how we perceive reality and how that perception determines what we see. I seek the poetry of our landscape; the imagery I hope to convey. The sacred moments where light, sound, color and texture harmonize make me smile…. This moment will never be seen quite the same again.
Spicher and Company is a leading manufacturer of framed artwork. It is our goal to provide the most current design options at an affordable price. We display our products in key Market Centers throughout the United States. Through our leading edge design and reputation we have acquired key positions in the market place.
Spicher and Company was founded in 1992, and has since become a leading manufacturer of framed artwork. It is our goal to provide the most current design options at affordable prices.
Artist Kolene Spicher has a unique style and flair with her paintings that is easily recognizable. Many of the current design ideas in the marketplace have been a direct result of her creativity. She has decorated most of the top name department stores with her modern abstract paintings, and her designs have been used by major brands in their advertising campaigns.
She splits her time between creating painting for gallery shows and working with school children to create permanent murals in public schools in the artist residence programs with the Maryland State Arts Council.
Combining her painting skills and her knowledge of vinegar-graining, she creates decorative furniture and accessories. Her Early American vinegar-grained furniture has been featured in Country Living magazine and sold at ABC Home in New York City. Her smaller grained boxes are currently sold at the gift shop of the National Archive Museum, Washington D.C.. She is a visiting artisan at Colonial Williamsburg where she gives vinegar graining demonstrations during the year.
Lakonia Greek Products
The story of our company originates in the region of Lakonía, which lies at the southeast end of the Peloponnese peninsula. Lakonía’s warm rocky hillsides along the Aegean Sea provide optimal conditions for growing olive trees. Home to the ancient Spartans, olive cultivation in this area can be traced back to 1500 BC, and has been a vital part of Greek culture as well as the Mediterranean diet.
Our story begins centuries later. Daphne Contraros Rioux, founder of Lakonía Greek Products, grew up in a small agricultural village of Stefania. Although Daphne has lived most of her life in the U.S., she rediscovered her roots in the late 1980’s while visiting relatives in her homeland. It was then that Daphne encountered Lakonía’s exceptional olive oil, and became intrigued with its high quality and smooth, rich taste. She realized that this locally produced oil was far superior to any available in the U.S. In 1998, Daphne acquired a parcel of land covered with olive trees located on the outskirts of a small fisherman’s village called Gythio. Her first harvests produced a small amount of extra virgin olive oil and Kalamata olives that she shared with family and friends. With time, demand grew and soon Daphne acquired additional land and planted many more olive trees.
In 2006, Daphne began selling her products at the local farmers’ market in Saco, Maine. In 2007, her daughter Melissa graduated from college, and was given the opportunity to start the business. Since then, she has dedicated herself to growing the family business. We now proudly offer our selection of Lakonia’s finest from our family to yours.
Unlike some craftspeople who are simply designers with a factory here or abroad, and a warehouse of stock waiting to ship, Tom and I design and MAKE each piece that comes out of our workshop. Our simplest piece, the humble cheese knife, takes 11 steps, but most require 20 steps to complete.
Come to a show to get first dibs on our newest inventions and our one-of-a-kind work.
No big factory, no outsourcing, no crowds of employees. Just us. Meb and Tom. And a few friends from time to time. So we DON’T keep masses of product (all the same) ready for purchase. When you want something, maybe we’ll find the one you want waiting here in the workshop. But most likely we’ll make you one, out of the type of wood you want, with special requests (use your imagination) sprinkled in for good measure.
Mills and Zoldak Pottery
Maureen Mills finished her undergraduate degree in Chemistry while continuing to explore her love of clay and continued to pursue art through her MFA degree from University of Nebraska-Lincoln. With her husband Steven Zoldak they moved to Portsmouth NH in 1987 to operate a studio on the grounds of Strawbery Banke Museum. Her experience, like Steve’s, demonstrating at the studio at Silver Dollar City in Branson Missouri under Harvey Bufford laid a solid groundwork for working with the public while continuing to work in clay.
As an author, a recent Arts Council Fellow and a recipient of the Artist Advancement Grant, Maureen has continued to pursue work fired in a wood burning kiln. She creates layers of imagery and patterns on her work, using the dramatic results of the firings to accent color and pattern. She is also the author of Surface Decoration for Ceramics, a Lark publication and is the Chair of Ceramics at the New Hampshire Institute of Art, where she has been faculty since 2001.
Steve has been involved in the arts since studying Graphic Design and Painting in college. His love of clay continued through college, apprenticing at the pottery studio at Silver Dollar City in Branson Missouri with Harvey Bufford. Since 1987 he and Maureen have been operating their studio on the grounds of Strawbery Banke Museum where his teaching skills excel in daily demonstrations to museum visitors while developing his own pottery style.
Continuing in the slip trailing traditions, Steve has developed a line of stoneware work that bridges Old World traditions with a contemporary sensibility. His functional and decorative forms have an elegant calligraphic style that is uniquely his own. From stately urns to serving platters, his inspirations come from a melding of cultures and a personal design aesthetic to create work that is beautiful to use and to look at.
All of my chairs are made completely by hand. I harvest my own wood from native trees. My Windsor Chairs are a fine and sturdy rendering of an American Classic. Few chairs match the grace and none exceed the comfort of a handmade Windsor. Each Windsor chair I make begins with the harvesting of native woods. I use Maple for the legs and stretchers, for its strength and turning qualities; Ash or Oak for the back and spindles, for their tenacity and bending qualities; and White Pine for the lightness and comfort of a well-carved seat. Every individual piece is a delight to the eye, and the visual whole is greater than the sum of its parts. I prefer a finish of several coats of milk paint, oiled and hand-rubbed to a lustrous and durable finishes.
Nine Patch Studio
Kathie Ratcliffe interprets 19th century quilts in miniature using historically accurate fabrics and authentic color combinations. Her quilts evoke the regional idioms and fabric trends of the most dynamic period in quilt history. Her work reflects the change in style from early chintz quilts to the bold graphics of the late 19th century. The vibrant colors and patterns recall the best traditions of American quilt art. “As I work, I sense a connection with the women who made those early quilts, with their creative choices as well as their lives and their historical context. In my miniature pieces I hope to preserve and validate these singular, deeply personal works of artistic expression.” Kathie’s intricate, signed pieces are offered in handgrained frames with archival mounting.
Nod Hill Soap
I am often asked why I started making soap. The answer is simple really – I love everything there is about soap – from fine french milled soap to rustic country soap – I am completely drawn to it….by the texture, the smell, the appearance, even the packaging!!
In 2009 I started Nod Hill Soap and embarked on my soapmaking journey. With no knowledge of how soap was made or even made from, I set out to learn how to make this alluring substance. Researching ingredients and techniques I began to create the soap of my dreams – a soap to nourish my body and soul – with a luxurious, creamy lather, gorgeous scents, light, fluffy bubbles, amazing skin loving properties and beautiful packaging. The entire experience resonated deeply with my creative spirit – from the artistry of designing the soap to the art of creating the packaging, I found pure joy.
In 2012 I took my soapmaking out of the kitchen and opened my shop in Wilton, CT where I both create my soapy masterpieces and also display them for sale in a lovely European-style inspired, tiny boutique full of light, soothing music and amazing scents. It’s the perfect place to come shop for that last minute hostess gift or special birthday present (knowing it was made right in the next room). In addition to soap, I make wonderfully luscious lotions and lip butters, refreshing rose water facial toners, soothing bath salts, rejuvenating salt and sugar scrubs, lovely scented sachets and room sprays to freshen up your home and so much more. I also offer elegant custom guest soaps, party favors and gift baskets perfect for bridal showers, hostess gifts, teachers’ gifts, corporate gifts, holiday parties or any special occasion.
As a kid, Jocelyn used to spend every free moment she had making little animal sculptures out of clay. Years later, she went on to study Metals and Jewelry at SCAD, where she tried desperately to avoid making jewelry and turn it into a sculpture degree. After graduating and spending a few years working and making jewelry on the side, she realized working with metal was not for her. She abandoned her attempts to use her degree and instead began working for SCAD as a recruiter. She spent her days preaching to students in high school art classes to not waste their creativity and to pursue artistic careers. It wasn’t long before she realized that she wasn’t following her own advice. Without a plan, she took a huge risk and quit her job to move from Atlanta to a small town in New England. Her big life change inspired her to start creating again and she picked up a felting needle. Once she started to spend every free moment making little animals out of wool…things fell into place and her inner child was found.
I have been interested in type and printing since I was a girl; my father worked for Mergenthaler Linotype. Growing up I assumed everyone’s dad pointed out good and bad examples of typography. My love for the printed word was always in the background of my life. Raising a family and investing in my home and garden in Connecticut left little room for other pursuits except for watercolor. Now my three daughters are grown and I finally have the most precious gift of time. I started taking letterpress classes. Once I got my feet wet and my hands inky, I was hooked. Slowly and steadily I turned my basement into a Print Shop. So here I am, enjoying a new phase of my life. You could say it all started with watercolor. I love to paint flowers and little still lifes. That led to creating cards and invitations for friends, and that led to Saltbox Press!
Sergio grew up in the Italian Alps when beauty and function were still part of life. After moving to Rome and an early retirement from a University position as Professor of Surgical Pathology, he moved to Warren, Connecticut. From Rome, the Eternal City, to the woods of Connecticut he has tried to revive the simplicity of alpine life, while not forgetting the classical beauty of Rome and its artifacts. His goal is to craft objects that are beautiful on their own and also functional. From bowls to vases, lidded boxes or Christmas decorations, salt and pepper mills, they must be beautiful but also functional.The forms of the vases are inspired by Greek and Roman pottery, or by classic Chinese art. All his objects are hand turned in his small shop and finished by him with food safe oils and waxes. He uses mostly local woods and occasionally exotic woods for accent and decoration. Some items are lightly embellished with a pyrography pen and/or natural non toxic pigments and inks.
Sergio believes that his best artistic statement will be made by his turnings themselves and by the people who will look at and hold them and cherish them.“I strive to bring out the hidden beauty of the wood with finely executed curves and accents in order to create bowls, vases, and other items with pleasing visual and tactile qualities.”
S.R. White Carving
When you pick up a woodcarving and discover the name “WHITE”, you will be holding a quality folk art reproduction made by S. R. White Carving, established by the husband and wife team of Steve and Linda White.
Steven Richard White began his woodcarving career in 1980 when he established S. R. White Gun Stocking; focusing on the crafting of early American flintlock rifles. It was during this time that he met and married his wife, Linda. Shortly after their marriage in 1985, they began S. R. White Carving, with Steve carving and Linda painting. The two talents combined to produce their own style of decoys and folk art carvings. S.R. White Carving makes stylized reproductions of ducks, shorebirds, songbirds, fish, nautical, and folk art woodcarvings. They are individually carved of kiln dried white pine, handpainted with acrylic paints, then given our unique “10 step antique process”. This was developed after years of experimentation and provides a beautiful distressed patina that enhances the character of the wood. Each piece is branded with the “WHITE©” name and comes with a certificate of authenticity.
The Whites’ continue to create stylized reproductions of early American Folk Art that are destined to be heirlooms for future generations.
Sue Brown Gordon
Nature is my primary inspiration. The tides and salt marshes of the Long Island Sound have been an area of contrast for me. Though it provides a sense of permanence, there is always growth and change happening. The sense of energy and freshness completes me, simple marsh grasses swaying skyward toward light.
I create organic textures with my jewelry and my painting. The work is sculptural and emotional, conveying a spirit of Zen-like calmness.
The Art Tramp
From early childhood David Schump had a passion for all forms of art and creativity. His grandmother taught him how to sew, needlepoint, cross-stitch, embroider and do crewel work. He also learned to weave Shaker baskets, paint and draw, sculpt and eventually found himself in a design career for over 3 decades.
When he saw his first piece of Tramp Art he knew he had found something special. He took the time to research and study the history of this art form. The level of details, the simple tools and the materials used by the craftsmen who made these pieces of “Tramp Art” intrigued him.
Each piece he studied seemed to have a soul, a story to tell and a warmth that only comes from something made by one’s hands. While he has always loved creating things with his hands he had never attempted to work with wood, after all, he had no training. It was also very important to him that he stay as true as possible to the origins of Tramp Art in its materials and simplicity.
In 2012, David decided to follow his dream of becoming a folk artist and turned his focus from graphic design to Tramp Art. Making each of his pieces is a labor of love. His work can contain as many as 200-300 individually cut and carved pieces of wood.
Three Point Design
We are a design studio located in Virginia Beach, Virginia and we specialize in creating custom one of a kind art using primarily wood, metal and paint as our mediums. Our focus remains mostly in the realm of traditional folk art, however we can custom create anything from scratch as long as you have an idea.
Time Goes By
For as long as I can remember, I have loved art and used my hands to express myself. I studied art extensively in college and originally focused my attention on woodworking and weaving on a loom. When I discovered basketry more than 35 years ago, I found a passion that artistically combined my love of weaving and woodworking.
After college, I interned with Martha Wetherbee for five summers to learn to work with ash in the Shaker style. I also took classes with Alice Ogden and JoAnn Kelly Catsos, who, like Martha, are nationally known basket makers from New England. Their combined expertise and knowledge have helped me to develop my craft and hone my weaving skills.
Working over wooden molds, in the methods of the Shakers, my baskets are traditional in shape and materials. I weave both Shaker reproductions in ash and traditional, utilitarian baskets of reed. Native hardwoods such as ash and oak are used to make the rims and handles, and all my baskets are lashed using ash. Each basket takes on its own character as it is woven in a quatrefoil, twill or fancy lace pattern to appeal to both eye and touch.
Vaillancourt Folk Art
When Gary Vaillancourt gave his wife, Judi, a gift of three antique chocolate molds in 1984, neither of them knew it would signal the start of a new family business of “made in America.” In the years since, Judi’s collection has grown to over 3,000 vintage molds — one of the largest collections in the world. She uses her molds to make hand-painted collectible chalkware figures for all major holidays — especially Christmas. Today, Vaillancourt Folk Art (VFA) is one of America’s last remaining Christmas ornament and collectibles makers. Unlike most Christmas collectibles, which are manufactured overseas, Vaillancourt chalkware figures are still made by hand at the VFA studio in Sutton, Massachusetts. Visitors can tour behind-the-scenes as artists hand-paint different variations of chalkware Santas, Father Christmas, Belsnickles, and non-Christmas figurines.