Josh Axelrod Photography
Photography originates with light. Pattern is the form, the symmetry, the composition. Motion is an expression of time… I consider these the essential elements of photography. They are the pieces of the puzzle that is the creation. How and where I choose to place these pieces, a combination of my perspective and integrating elements to form the whole, is where I depend on intuition. This is where my art is born.
From the back woods of Vermont, to the western shores of Washington; high in the Andes of Peru and deep into the wild of Alaska, I find inspiration in what is often overlooked- the simple things that blanket the earth. Magic lives everywhere; the feathered blade of golden grass blowing in the wind, the current rippling in a mountainside stream and the ever-changing light defining the voice of those moments.
I am fascinated by how we perceive reality and how that perception determines what we see. I seek the poetry of our landscape; the imagery I hope to convey. The sacred moments where light, sound, color and texture harmonize make me smile…. This moment will never be seen quite the same again.
Barking Dog Jewelry Design Studio
As a specialist in hand forged and braided metal, I use a mixture of traditional silversmith, blacksmith, and goldsmith techniques and equipment to create historical wearable works of art. I am a native of North Carolina, trained in historical archaeology, with a subspecialty in metals. I am a trained jeweler and a self taught traditional silversmith.
I do all the work by hand, one piece at a time, from initial design to final polishing – no mass production. From time to time I teach this work to apprentices who also help me at art and craft shows while I demonstrate my techniques.
My knowledge base comes from period texts, paintings, etchings, and techniques which I’ve reverse engineered using methods learned in my training in archaeology and museum conservation and restoration. I spend hours in museums examining period paintings, etchings, prints, and sculptures attempting to tease out jewelry design and construction. Many of my patterns are based on archaeological research, published reports, texts, field notes, and interviews with curators at period archaeological sites. Two of my chain designs are based on artifacts recovered from period (1715) ship wrecks off the coast of Florida. The button designs are based on two period buttons (one pewter and one silver plated or gilded) excavated in Strasburg, Virginia. I also have fun creating some contemporary or art deco pieces.
As a result, my designs create some of the most accurate reproductions and examples of historic colonial style jewelry, especially with respect to my hand made chains, hand forging, weaving, repousse’, chasing, and embossing.
Baskets in Nantucket Tradition: Jane Theobald
I began experimenting with Nantucket basket construction about 35 years ago after seeing a small broken one at an antique show. I have been a hands on creator forever, jumping from sewing stain glass window making, weaving, knitting etc. I dabbled in shaker baskets at first but once I saw the Nantucket that was it. I still have my first basket with its handle made from a large twig from a tree in my back yard. My basket growth has been all on my own since in the early 1980s there was nothing available without being on the island. The third edition of the Seeler book in 1981 was my teacher. It however left out a number of salient facts which had to be learned by trial and error if you weren’t out on the island with a teacher. One of the greatest joys of my development as a basket maker has been that when faced with a technical obstacle and no teacher I consistently seem to have solved it the same way the old guys on the island did many years ago. Over the years I have participated in many lovely folk art shows and have been privileged to be included in Early American Life magazine of Outstanding Artists as well as being featured in Country Living. In addition I have had a nest of small baskets included in a show of miniatures at the Nantucket Basket Museum on the island. My baskets are in many personal collections both here and abroad. I have done all my work myself from the beginning. This includes molds, rims, handles, and for the last several years scrimshaw. Much of my work now is custom one of a kind baskets and historical reproductions woven of old cane, sometimes with baleen embellishments. In addition I do restoration of treasured antique baskets in private collections. I still learn from every project and enjoy it as much now as I did with my first homely attempt.
Emmy Starr Designs
Having grown up in a house full of creative people, I always knew I liked to make beautiful things. Whether building a cardboard box dollhouse, molding a pinch pot bowl or even performing an interpretive dance, I always liked creating. And then, one day, my jewelry-making mother and sister brought me to a local bead shop, and Emmy Starr Designs was born.
I am drawn to simple designs made with classic sterling silver and timeless gemstones. Nothing too glitzy or showy, just lovely stones in graceful designs. I want my work to be comfortable and easy for women to wear, whether it’s a day at work or a weekend date night out with friends. Jewelry should be a subtle complement to a woman’s individual beauty, and the delicate nature of ESD pieces echo that belief.
When I am not squirreled away making jewelry, I can also be found playing with porcelain in the clay studio. Again, a simple desire to make functional pieces that make people smile.
My most beautiful creations are, by far, my adorable four kids, original works with my charming husband. We all live happily together in Wilton, CT.
Fascinated by American Indian beadwork, Faith Fellows studied the earliest forms of bead and quill work and the various tribal influences at the American Indian Museum in New York. Today she incorporates artistic influences from many indigenous cultures into her bags. Each motif is meticulously embroidered on a field of richly colored velvet or suede set into the leather of the bag, creating one-of-a-kind American treasures. She works in South Royalton, Vermont.
French Studio Design
I design and dye textiles by hand, using printmaking and tie-dye techniques. I trained as a printmaker in art school, and I have adapted printmaking techniques usually applied to paper. I hand-print my fat quarters one at a time using a mono-printing process that allows me to create spontaneous, lively patterns with fine, crisp details. Each design is completely unique and not repeatable. You can be sure that you are receiving a truly unique item.
I lived in India several years ago, and I learned many aspects of textile decoration while living there. I learned the use of indigo and other natural dyes, block printing, and bandhani, a traditional Indian resist dye technique using ties that bind small sections of fabric. Tied areas resist dye penetration, so the final design shows a complex pattern of contrasting colors. I also use Japanese shibori techniques, especially stitch resist. Hand-sewn stitches are pulled taut, thus resisting dye penetration. My scarves, and some of my art cloth and fat quarters, are patterned using these traditional tie-dye techniques.
My name is Sherry Dwivedi. I am a fiber artist with a background education in textile history of Southeast Asia and Europe. My calling is to revive centuries old lost textile techniques. They are a symbol of our creative understanding from the past. I am intrigued by the beauty, complexity, and simultaneously, the simplicity. I have been fusing European and Asian techniques such as 1800’s French prints (chintz) embroidered with merino fiber wool. These fiber art pieces are considered lifestyle products such as paintings, scarves, table runners, etc. I only use the purest of materials – organic Egyptian cotton, fruit and vegetable dyes, bamboo, leather, and sheep wool!
Additionally, I hand-crochet scarf accessories to complement my art. I also teach people who have a passion for this type of art. In addition, I also work with a non-profit organization under a program known as Fashion For Empowerment. I’m a master artisan and I teach underprivileged women skills like crocheting, hand-looming, and beadwork as well, keeping the handmade alive. Working with the UN Women Foundation as part of this organization, I believe in art that provides consumers with a conscious impact. (www.fashionforempowerment.org)
Ashley Garland Floor Cloths
As a young apprentice to my artist grandmother, I learned the process of creating floor cloths at the age of 13. While studying under my grandmother I was even mentioned in Country Living Magazine. I am very proud to be carrying on the tradition today. I love the process of putting an idea onto the canvas and seeing it come to life. I want my work to be enjoyed in your home as much as I enjoy creating it.
I’ve been obsessed with books all my life – reading them, collecting them, and now creating them. I started studying bookbinding over 15 years ago, originally to learn how to repair the books I collect. But that has evolved into making my own creations, which gives me a huge amount of satisfaction. I love combining leathers, papers and other fabulous materials to make my journals, ornaments, and boxes. All are completely made by hand, using the traditional methods I’ve learned over the years.
She splits her time between creating painting for gallery shows and working with school children to create permanent murals in public schools in the artist residence programs with the Maryland State Arts Council.
Combining her painting skills and her knowledge of vinegar-graining, she creates decorative furniture and accessories. Her Early American vinegar-grained furniture has been featured in Country Living magazine and sold at ABC Home in New York City. Her smaller grained boxes are currently sold at the gift shop of the National Archive Museum, Washington D.C.. She is a visiting artisan at Colonial Williamsburg where she gives vinegar graining demonstrations during the year.
A native New Englander, Christopher LaMontagne is an accomplished, highly sought after builder and timber framer who has has travelled to Europe to study timber framed buildings. He is an extremely multi-faceted artist, furniture maker, architectual wood worker, expert wood carver, sculptor and wood turner with legions of satisfied clients. Christopher is one the most dynamic, versatile and multi-talented woodworkers in the U.S. today. LaMontagne’s attention to detail is the trademark of a master craftsman, as the intricate carvings of his work demonstrate. With integrity and innovation, he has found a perfect balance between Old World and contemporary building techniques.
His versatility, skill, energy and dedication to his craft are uncompromising, establishing him as a professional who is well suited to commission projects of any size.
What makes Christopher unique is his talent for taking an idea, thought or dream, whether his own or someone else’s and transforming it to reality.
His amazing two dimensional drawings magically transform concepts into masterpieces that are complicated and visually exciting.
If you have an idea or dream requiring an Artist and Master Craftsman, you’ve found the one who can bring it to life.
Kiara Matos Ceramics
I was born in Venezuela and recently moved to the US. I became a ceramicist before I knew I was one. I was born to be one, it fulfills me in every possible way.
I took ceramics from my mother, she had a studio at home, but she was never able to work on it, it was a hobby that never happened! It was there for me and my siblings though, and we grew around it.
When I turned 20 it became clear to me that I wanted to develop a career in ceramics. I had become a potter from the moment that studio was settle. Almost 30 years ago. I just hadn’t realized it until then.
I love wheel throwing, but, also enjoy the endless possibilities of hand building. My work clearly shows inspiration drawn from the natural world plants in particular and more recently birds, as well as my taste for color. My palette is the result of 20 years of research for the right tones and textures, I am very proud of it but I am sure it will keep evolving. Just like the work I do. I started working with earthenware but quickly moved to stoneware in which most of my body work I did while living in Venezuela was made.
After moving to the US 8 years ago, I decided to try and work with porcelain, given the fact that I was setting a new studio I thought it would be an interesting thing to do. I am loving it, though I’m not sure it is a definitive transition which is fine, I can deal with change, my work is always changing and I love when it happens, I allow it to happen. At the end it is my response to the world around me, a world in constant renewal.
Unlike some craftspeople who are simply designers with a factory here or abroad, and a warehouse of stock waiting to ship, Tom and I design and MAKE each piece that comes out of our workshop. Our simplest piece, the humble cheese knife, takes 11 steps, but most require 20 steps to complete.
Come to a show to get first dibs on our newest inventions and our one-of-a-kind work.
No big factory, no outsourcing, no crowds of employees. Just us. Meb and Tom. And a few friends from time to time. So we DON’T keep masses of product (all the same) ready for purchase. When you want something, maybe we’ll find the one you want waiting here in the workshop. But most likely we’ll make you one, out of the type of wood you want, with special requests (use your imagination) sprinkled in for good measure.
Nod Hill Soap
I am often asked why I started making soap. The answer is simple really – I love everything there is about soap – from fine french milled soap to rustic country soap – I am completely drawn to it….by the texture, the smell, the appearance, even the packaging!!
In 2009 I started Nod Hill Soap and embarked on my soapmaking journey. With no knowledge of how soap was made or even made from, I set out to learn how to make this alluring substance. Researching ingredients and techniques I began to create the soap of my dreams – a soap to nourish my body and soul – with a luxurious, creamy lather, gorgeous scents, light, fluffy bubbles, amazing skin loving properties and beautiful packaging. The entire experience resonated deeply with my creative spirit – from the artistry of designing the soap to the art of creating the packaging, I found pure joy.
In 2012 I took my soapmaking out of the kitchen and opened my shop in Wilton, CT where I both create my soapy masterpieces and also display them for sale in a lovely European-style inspired, tiny boutique full of light, soothing music and amazing scents. It’s the perfect place to come shop for that last minute hostess gift or special birthday present (knowing it was made right in the next room). In addition to soap, I make wonderfully luscious lotions and lip butters, refreshing rose water facial toners, soothing bath salts, rejuvenating salt and sugar scrubs, lovely scented sachets and room sprays to freshen up your home and so much more. I also offer elegant custom guest soaps, party favors and gift baskets perfect for bridal showers, hostess gifts, teachers’ gifts, corporate gifts, holiday parties or any special occasion.
I create original paintings with mixed media and collage on canvas and panels. I have an extensive line of limited edition giclee prints. All my giclee prints are designed to go in coordinated groups of 2, 3, and 4 to fit on varying size walls.
Through my art I explore spiritual and mystical themes of memory, the passage of time and the cycle of life with the use of metaphor. I use classical archetypes such as a butterfly’s metamorphosis to symbolizes transformation. A migrating bird reflects nature’s life cycle with the changing of seasons. Fruit, flowers and acorns exemplify growth, decay and regeneration. Music represents memory, timing and capturing the moment. The past is evoked by fragments of vintage maps, antique wallpapers, tiles, tin ceilings and gravestone rubbings. Life’s journey is depicted by a free floating, illusory boat representing destiny, transition and outward exploration. Returning home, rest, retrospection, and inward contemplation are symbolized by a small house. These universal rhythms, revealed through my art, simultaneously juxtaposing what can be known and what can never be known.
Mark A. Perry
I began my artistic career on Nantucket Island, my home for more than twenty years. A chance meeting with a sculptor there created a spark of curiosity and wonder that continues to burn today, three decades later.
My first works were inspired by 19th century scrimshaw carvings. Once the whaling capital of the world, Nantucket has a rich heritage in the creative arts and crafts. Self-taught, I learned my craft through recreating a number of antique folk masterpieces, the first of which sold immediately.
Today I continue to carve sculptures with an eye to the past. Often the label ‘sophisticated folk art’ is suggested upon seeing my work for the first time. While this may well hold true, it is my hope that many of these works transcend their ‘folk art’ quality and prove to be simply contemporary works of art made with the heart and spirit often associated with historical pieces.
I have had the opportunity to exhibit my sculptures in some of the top shows in the country, including the Smithsonian Craft Show in Washington, DC, the Philadelphia Museum of Art Craft Show and the Architectural Digest Show in New York City, where I exhibited each March for 10 years.
Continuing my love of the seashore, I now live in Westerly, Rhode Island. Historic Mystic Seaport and Stonington Borough, Connecticut are nearby and beautiful Watch Hill is just a short jaunt down the road from my studio, where I welcome visitors with some advance notice.
Jocelyn is an artist living and working in Kingston, NY. She created her brand, PetitFelts, in 2011 and since then she has made it her goal to create high quality, unique needle felted pieces. She strives to make animals that spring to life through their expressions and whimsical humor. She puts lots of love into her work and above all else, she hopes that people can sense that when they come across her creations.
Jocelyn works out of her studio in the Hudson River Valley. She crafts each of her pieces by hand dying wool and using a technique called needle felting. The process involves tangling the fibers of wool with a barbed needle in order to create wool sculpture.
I have been interested in type and printing since I was a girl; my father worked for Mergenthaler Linotype. Growing up I assumed everyone’s dad pointed out good and bad examples of typography. My love for the printed word was always in the background of my life. Raising a family and investing in my home and garden in Connecticut left little room for other pursuits except for watercolor. Now my three daughters are grown and I finally have the most precious gift of time. I started taking letterpress classes. Once I got my feet wet and my hands inky, I was hooked. Slowly and steadily I turned my basement into a Print Shop. So here I am, enjoying a new phase of my life. You could say it all started with watercolor. I love to paint flowers and little still lifes. That led to creating cards and invitations for friends, and that led to Saltbox Press!
Artist Kolene Spicher has a unique style and flair with her paintings that is easily recognizable. One of Kolene’s favorite places is the island of Nantucket, located 30 miles out to sea off the coast of Cape Cod where she showcases her original artwork. More recently she has been experimenting with making pottery. Kolene’s artwork has been produced and used on a special series of Alicia Klein’s leather “taxi wallets”. And TV shows from “the Sopranos”, “Even Stevens” and full feature films including “Deep End of the Ocean” have requested permission to use Kolene’s artwork in their filming.
Sue Brown Gordon
Nature is my primary inspiration. The tides and salt marshes of the Long Island Sound have been an area of contrast for me. Though it provides a sense of permanence, there is always growth and change happening. The sense of energy and freshness completes me, simple marsh grasses swaying skyward toward light.
I create organic textures with my jewelry and my painting. The work is sculptural and emotional, conveying a spirit of Zen-like calmness.
Thaw Malin Art
I WORK EN PLEIN AIR, OUT IN THE COUNTRYSIDE… Welcome. I am back to painting again after a 4-year sabbatical that included a few pieces done for charitable fund raisers. While away from my easel and paints, we designed and had renovated part of our home, adding new studio spaces in the house and barn. Cynthia and I also rearranged the back woodlands. The initial reason was to make an 8 foot deep by 35 x 45 foot natural, swimmable pond and rocky stream, a couple of waterfalls and shallows on the sides for water plants and natural filtration. We easily surpassed that idea and began sculpting the landscape with abandon with the excavated dirt as if a small glacier had passed through the property! Then we rolled, dipped and planted the areas around and behind the pond creating new plein air studio spaces out back, building our own version of Monet’s Giverny (paintable landscaped “park” with many different and varied garden rooms and destinations). I am now REALLY ready to paint!!! Come visit us and we’ll show you around. I am continuing to make small, 6″ x 8″, landscape oils, but not every day. I am also working on larger pieces. I love to paint and am happy to share my painting experience with you. Most of my work is impressionistic landscape oils, inspired by the beauty of the Island of Martha’s Vineyard where I live.
Three Point Design
We are a design studio located in Virginia Beach, Virginia and we specialize in creating custom one of a kind art using primarily wood, metal and paint as our mediums. Our focus remains mostly in the realm of traditional folk art, however we can custom create anything from scratch as long as you have an idea.
Vaillancourt Folk Art
When Gary Vaillancourt gave his wife, Judi, a gift of three antique chocolate molds in 1984, neither of them knew it would signal the start of a new family business of “made in America.” In the years since, Judi’s collection has grown to over 3,000 vintage molds — one of the largest collections in the world. She uses her molds to make hand-painted collectible chalkware figures for all major holidays — especially Christmas. Today, Vaillancourt Folk Art (VFA) is one of America’s last remaining Christmas ornament and collectibles makers. Unlike most Christmas collectibles, which are manufactured overseas, Vaillancourt chalkware figures are still made by hand at the VFA studio in Sutton, Massachusetts. Visitors can tour behind-the-scenes as artists hand-paint different variations of chalkware Santas, Father Christmas, Belsnickles, and non-Christmas figurines.
My Windsor Chairs are a fine and sturdy rendering of an American Classic. Few chairs match the grace and none exceed the comfort of a handmade Windsor. Each Windsor chair I make begins with the harvesting of native woods. I use Maple for the legs and stretchers, for its strength and turning qualities; Ash or Oak for the back and spindles, for their tenacity and bending qualities; and White Pine for the lightness and comfort of a well-carved seat. Every individual piece is a delight to the eye, and the visual whole is greater than the sum of its parts. I prefer a finish of several coats of milk paint, oiled and hand-rubbed to a lustrous and durable finishes.
Wood by Dylan
My passion is dismembering trees and then reassembling them.
I draw inspiration from a range of sources, including Japanese joinery and Danish design, to the daily developments in American craftsmanship.
Above all, I seek harmony in form and function.
I use locally sourced hardwoods and rely on time tested traditional joinery techniques for the construction of my furniture. My finish work is done primarily with edge tools. I prefer simple oil finishes, but on projects where surface durability is vital, I work with the client to select the appropriate product.
Satisfaction is working with a client to find that piece of furniture that transforms a space into their home.